Some choices are hard to live with.
But some choices will kill you.
When seventeen-year-old Anna first meets Rakan in her hometown north of the Arctic Circle, she is attracted to the pulsing energy that surrounds him. Unaware that he is a shapeshifting dragon, Anna is drawn into a murderous cycle of revenge that pits Rakan and his clan against her best friend June.
Torn between his forbidden relationship with Anna, that could cost them both their lives, and restoring his family’s honor by killing June, Rakan must decide what is right. And what is worth living – or dying – for.
The funny thing about Dragon Fire is that it didn’t start out as a book on its own. It started out as a subplot in another manuscript. After writing Call, the first book in a planned four book series, and thinking it was market-ready, I began to query it. And no one was interested. All I got, if I got anything at all, were form rejections. I gathered my courage, read several craft books, and re-wrote it before querying it again. But my second batch of queries had no better results than the first.
Frustrated and a bit stumped as to how to improve my manuscript, I once again stocked up on craft books. A few months later, after reading Donald Maass’s Writing the Breakout Novel and analyzing several YA books with his ideas in mind, I began to understand where tension was lacking in Call.
Unfortunately, I still didn’t know how to fix it — especially since it would mean cutting about 40-60 thousand words. And yet I wasn’t ready to leave the world I had created and loved. So I decided to pull out a subplot fromCall’s sequel and write that. That subplot, about a young shapeshifting dragon named Rakan and the human he falls in love with named Anna, became Dragon Fire.
While writing Dragon Fire I signed up for Jordan Rosenfeld’s class, ‘Building Tension’. Taking this class was essential to my growth as a writer and it made Dragon Fire a better manuscript. I would take scenes from my work-in-progress and apply the lesson to it, improving it a first time. Then I’d get feedback and I’d re-write it again, improving it even more. All of this before rewriting one final time to produce the ‘first’ draft.
Once Dragon Fire was complete, I queried it and got several requests for fulls. In the end, I had the good fortune of being able to choose between three publishers, and I chose Twilight Times Books. And now, finally, I’m ready to go back to Call and re-write it!
Born in the US, Dina has lived on 4 continents, worked as a graphic artist for television and as a consultant in the fashion industry. Somewhere between New York and Paris she picked up an MBA and a black belt – and still thinks the two are connected. Dina is currently the Regional Advisor for SCBWI Belgium, where she lives with her husband, two children, three horses and a cat.
Dina loves to create intricate worlds filled with conflict and passion. She builds her own myths while exploring issues of belonging, racism and the search for truth… after all, how can you find true love if you don’t know who you are and what you believe in? Dina’s key to developing characters is to figure out what they would be willing to die for. And then pushing them to that limit.
Dina is now repped by the fabulous Kaylee Davis of Dee Mura Literary Agency.